- This time we recorded AHS at “LOGWAY BESS Fujisawa,” the exhibition site of the wooden home brand “BESS,” known for its log houses and other timber homes. How was it playing in a location like this?
It felt amazing to play in such a warm space where you could really feel the heat from the firewood. It was incredibly comfortable, and I had so much fun.
- Could you share the thoughts and ideas behind this mix?
For this mix, I wanted to play house music that feels good and suits the daytime vibe. Since we were in a log house, I was also conscious of bringing in a slightly beat-down atmosphere.
- Were there any key tracks in today’s set, or any songs you absolutely had to play?
IORI’s track “Bloom” is incredibly cool, and it’s one I often play at pivotal moments in my regular gigs. I felt like this was one of those moments too (laughs).
- What are some of the unique charms of Fujisawa (or the Shonan area) that you wouldn’t find in Tokyo’s club scene?
Like Tokyo, **Fujisawa** is home to people involved in many different kinds of music, and every time I go out there I receive a lot of new inspiration. I think part of the charm is the scale of the city, which naturally brings people closer together. Connections form organically, and from those connections new parties and ideas start to emerge—that’s what feels very characteristic of Fujisawa to me.
- Ryu Kinoshita, who also appeared on AHS at the BESS log house, is someone of a senior figure from Fujisawa, right? What kind of presence are Kinoshita-san and “Chill Out Sakaba ~Tokonatsu~” (the music bar he runs) to you?
It’s a truly warm place. As more parties from our generation have been emerging, I feel that Tokonatsu plays a very important role.
Ryu isn’t originally from **Fujisawa**, but he has been running his shop here for many years and helping build the local scene. He’s always supportive of the younger generation and encourages us to keep going. I personally learned so many things from him as well.
I think it’s an indispensable place for Fujisawa, and it’s a wonderful shop that really reflects Ryu’s personality.
- What do you find appealing about DJing with vinyl records?
One of the things I love most is how each record gradually becomes something you grow attached to. As time passes, different memories and meanings start to layer onto that record in your mind, and I really enjoy that feeling.
When it comes to sound, of course everyone has their own tastes, but I think there’s also a certain quality that’s unique to records. And on a very simple level, it’s just really fun to touch them and play them. (laughs)
- Outside of your DJ activities, what inspires or stimulates your creativity?
I think I get a lot of inspiration from going to record shops, walking around the city and taking in the scenery, and talking with people. Many of my ideas seem to come from those ordinary, everyday moments.
- What kind of mindset is important to you as a DJ?
I place great importance on watching the dance floor. While sensing the atmosphere of the space and the reactions of the crowd, I try to choose the music that best fits that exact moment.
- What plans do you have for 2026?
I’d like to continue DJing as I always have, while hopefully playing in many different places along the way. I want to value new encounters and experiences, and gradually expand my activities at my own pace. Most of all, I hope to keep doing this while continuing to enjoy it.
Also, there’s a party called **Open to Last** at **OPPA-LA** on April 4, so if the timing works out, I’d be really happy if you could come by and hang out.
Location Courtesy: BESS https://www.bess.jp/
